I officially have my liscence. I don’t really know how I feel about that yet. Scared and delighted and accomplished and intimidated, mostly.
I’m stalled on my Supernatural story. I try not to mention fanfic on here, because of very firm ideas of keeping my online personalities separate, but this story is kinda the focus of most of my attention now, outside of work. It’s not a special story, or long or interesting, but it just feels like a good thing to write and I enjoy it. I even like rereading what I have so far, which I rarely do. I want to finish it and move on to something new, though. I’ve been working on it for months, and it’s only about 3000 words long. I can write that much in one day, sometimes.
About writing: I’ve learned certain habits that are kinda odd. The first habit I learned from CTY: I refuse to repeat a word in a paragraph; if I had my way, I’d never repeat a word in the entire document. Using one word over and over is a sign of a small mind vocabulary, which is a horrible thing. At the same time, I have to balance whether the audience will know the alternate word, and whether the character would use it. I will go back and change whole sentences, sometimes for the worse, just to avoid repetition. On the other hand, I will use repetition for style or mood purposes, but only if there’s no other way to convey what I want. I also use sentence structure to carry mood. This is probably a good thing, but I fumble with it a little. Dad taught this to me, I think - at its most basic, the idea is that reading short, hard sentences makes for slow reading, but long quick ones give a sense of urgency. Slow reading has its place: I use it for tired, for someone so caught in the now that time flows off and on, for contrast, for emphasis on the important details in a paragraph of exposition. The other habits are all bad ones that make up my style. I start sentences with “and”, I use semicolons and dashes but never parentheses, I use a comma in almost every sentence. I count on the reader being smart enough to catch what’s not being said. Here, have a somewhat stylized snippet. Yes, the whole story is written like this; yes, I know it makes for surreal reading.
Dean sleeps restlessly, without waking. Sam holds vigil. The farm is silent in the way only the wild green earth can be, noisy in the way only places without pavement can be; the crickets and frogs sing fit to burst, raucous and wide awake. A wild cat calls, somewhere distant. The embers of the banked fire crackle like dry paper, settle now and then. And Dean kicks at the blankets, sweating in the chill night.
“Daddy,” Dean whispers, hoarse and tiny and broken, consonants rounded in sleep like an infant’s first words. Sam finds his cell phone, tucked into a nearly-forgotten pocket, dials and holds it to Dean’s sleeping ear. The furrow in Dean’s brow eases at the sound of their father’s voice, worn into too-familiar grooves. When it beeps, Sam puts the phone to his own ear. Just holds it for a moment. The voicemail waits, silent.
“I love you,” he finally says. It’s small, and the words don’t mean what he wants them to. “I just… you know that. I love you.”
He hangs up. Dean sleeps. Quiet, quiet, hush.